— PEEPRA storytelling engine

— Decks · Stories · Explainers · Adverts

Make the thing.
Keep the thing.

Say what you are making — a pitch deck, an animated story, an explainer film, an advert — and Peepr writes the whole thing for that, narrates it, and hands you the file.

It will present it for you as well — turning the pages and reading each one aloud, until you take the wheel back. And what you make is a plain file that stays on your machine.

Made by Peepr

Illy, five, in her mother’s far-too-long purple sequinned gown, holding her teal elephant up at the premiere of the film she and her sister made
Noa, eight, in her mother’s oversized jade evening gown and opera gloves, presenting the film she made Abby the ant, the star of the film, holding up a gold award at the premiere

Noa Ups Her Ante · 65s — Not a mock-up. Engine output.

Narrated · scored · one deck file

Less converting. More telling.

— Not one thing converted four times. Four different pieces of writing. Everything it makes

  • 01 A pitch deck Argued, and ordered so the ask lands last.
  • 02 An animated story Read-aloud rhythm, a page at a time.
  • 03 An explainer film Timed to the voice and cut into shots.
  • 04 An advert Short, because eight seconds is all it gets.

v0.3 · Alpha/Runs on your machine/Your AI keys · No account

— What it is for

Anywhere you have to get something out of your head and into someone else’s.

The rule on this page has not changed: if we can show it, we show it. Five of these are real artefacts you can watch without leaving the page. The other eight are the same engine pointed at a room we have not photographed yet — each moves up the day there is something to watch.

Thirteen things./One body of knowledge underneath all of them.

01The proof

— Made with Peepr. Not mocked up.

See what
comes out.

Nothing here is an impression of what Peepr might do one day. Every picture and every word in this advert came out of the engine — we cut it.

▶ Peepr — "Where is everything you have ever made?" 95s
Four friends crammed into a car, grinning at the camera
— A playlist for a road trip
A man alone in the middle of an empty village hall
— A party that never happened
An office monitor showing a drawing censored with a mosaic
— The one about your boss
Made by
Peepr, about PeeprThe advert for a storytelling engine, told by the storytelling engine. Every photograph and every line of narration is its output.
Source
One deck fileNine pages. The images, the script and the voice were all authored against the destination before a frame existed.
Voice
GeneratedNothing recorded in a booth. The read you hear was minted from the script.
The cut
OursPeople did this bit. Ninety-five seconds re-ordered and re-timed by hand so every picture lands on the word that pays it off.

No mock-ups on this page./If we can't show it, we don't claim it.

02The fight

— Everyone who has ever asked an AI for one small change.

It was almost
right.

The heavy lifting was never the hard part. The hard part is the last one percent — the half-line only you can write, the face that has to stay the same, the joke that has to land — and that is precisely the part you cannot get a machine to leave alone.

So you spend the afternoon negotiating with it, and you end up further from what you meant than when you started.

01 —

You asked it to change one line.

02 —

It quietly rewrote all of it.

03 —

You asked for the old one back.

04 —

It handed you a fact it invented, with total confidence.

↓ ...and now it is WORSE!!

The heavy lifting is already solved./The last one percent is the whole job.

03The hard part

— The same two girls. Two different films.

Characters that
keep their things.

The thing that breaks generated film is drift. Ask for the same character twice and the details wander — a shirt that changes colour between shots, a favourite toy that quietly disappears.

Peepr holds a character register: who exists, what they are wearing, what they carry, and what must not change. It survives across scenes, across whole films, and across films made weeks apart.

And drift gets worse the longer you go: a face that wanders over sixty seconds is a blemish, and over half an hour it is why nobody finishes watching. A register that pins who exists, what they wear and what they carry has no length in it — it does not care whether the thing runs a minute or an hour.

Left: their first flight. Right: a parcel of magic pink dresses, weeks later. Different film, different clothes, same grey elephant — it is on all thirty-four pages of both.

— Character register · Noa & Illy Elephant: 34 of 34 pages
Noa and Illy in two separate films made weeks apart — an airport in one, a bedroom in the other — with Illy carrying the same grey toy elephant in both
Noa & Illy’s First Flight
Noa & Illy and the Magic Pink Dresses

So there is no length ceiling in the design. There is also no half-hour film on this page — the longest is ninety-five seconds — because we have not run one that far yet. It should hold. It is untested, and you should hear that from us.

Anyone can generate a picture./The register is the difficult bit.

04Inside Peepr

— Read to me · Read together · I’ll read.

Stories that
read themselves.

Ask for a bedtime story and you get a book that reads itself — a voice, the words lighting up one at a time, pages that turn when they should. Or take the voice away and read it together. It is the same engine that writes the board pitch.

The Peepr storybook reader, showing the cover of “Noa & Illy and the Lantern Thief” and the three ways to read it
— How would you like to read it?
Illy, a Peepr character, holding up her elephant beside the storybook reader
A page of the story, art on the left and the words on the right
— A page at a time, at your pace

Every story keeps a cast. A character is described once — name, look, what they carry — and locked to a portrait that new pictures are drawn against. Edit the description and new pictures follow it; pages already drawn stay exactly as they were.

The Peepr cast manager, open on the story “The Magic Treehouse”. Four cards side by side — Noa, Illy, Mum and Dr Osei — each with its locked portrait, the character’s description, and the buttons to re-draw the portrait, use a photo instead, or remove the character.
— The cast register · every character, defined once

A story, not a slide deck./Real screens, from the build that ships today.

05Five destinations

— One engine. Five different jobs.

Same knowledge.
Five tellings.

Marvel began as comics, and nobody dropped the panels into a timeline and called it a film — somebody wrote it again, for the screen. That is the job everybody skips. Not one of these is a converted version of another: the pacing, the structure and the language were chosen the moment the destination was.

Style is the same kind of decision — how a thing is drawn, chosen once and changed whenever you like, without touching a word of the story underneath. That one we are still building, and you will see it here as real output or not at all.

01 — Investor pitch Slide 4 of 12
A calm utility room with a wall-mounted home battery
— The opportunity

Every home is a power station.

2.4mUK homes eligible
£38Saved per month
9yrPayback, falling
Structured, on-message, and it gets to the point — a slide built to be argued from, not read out.
02 — Advert 9:16 & 3:2 · 8 seconds
A frosted bottle of blood-orange soda mid-splash
New · Blood orange

Cold.
Loud.
Gone.

Find a stockist
Three words and a shape. Written short because eight seconds is all it was ever going to get.
03 — Ambient display Lobby screen · loops all day
A dawn sea view through an open window
06:41
Low tide at ten past seven. The coast path is dry, and breakfast is on until half ten.
Sunrise 05:4413°C · ClearTide out 07:10
Glanceable, ambient, almost silent — paced for someone walking past, not someone reading.
04 — Children’s book Spread 6 · cut-paper
Noa and Illy on a rooftop sending a paper aeroplane over a sleeping town, in cut-paper collage
The same two girls as the register in Section 03, in a style the watercolour books never use. Warm, gentle, read-aloud rhythm.
05 — Explainer film 21 seconds · narrated · four shots
Written as a screenplay, not a script read over pictures — 55 words, cut to the voice, with the camera never still. Narrated in one take.

Nothing here was converted from anything else./Each one was written for where it was going.

06Running it

— Is this for me? · What do I need? · Which AIs? · Do I own it?

Your keys.
Your crew.
Your bill.

— Where your key actually goes
  1. Your browser
  2. your key, on your account
  3. Anthropic · OpenAI · ElevenLabs · your own machine

Peepr is not on this path.

Which is why there is no invoice here to add a margin to — the connection ceiling below is the extension enforcing it, not us promising it.

Peepr doesn’t sell you AI. You bring it — keys you opened yourself, on accounts in your name, going straight from your browser to the provider and nowhere else.

Everyone else resells you the same call with a margin on it — five times cost is an ordinary rate. Ours is nothing, because your bill never reaches us.

That multiple is what the market charges, not a figure we have audited. The half we can prove is ours: nothing is added, because there is no invoice here to add it to.

A bedtime story and a board pitch are the same problem.

Something you know, told to someone specific, in the form that suits them. The engine doesn’t care which one you’re doing. You will.

01 — Anyone who explains things for a living

Teachers, trainers, founders, curators

Anyone who has rewritten the same idea for a fourth audience this week.

02 — Fifteen minutes and a board to convince

You have the numbers and the argument

You need a pitch, not a document that got read out.

03 — A kid at the kitchen table

PEEPR Storytime — coming

They type a story about a dragon who’s frightened of soup. It comes back as a film, with a voice and music, and they made it.

  • Every pass is labelled You always know which words the machine wrote.
  • Nothing ships unread A person signs it off. There is no auto-publish.
  • Plain files, your disk Readable with or without Peepr, for as long as you keep them.

What you won’t find in Peepr: confidence percentages, “verified by N models” badges or trust dials — numbers invented to make you feel more certain than you have reason to be.

Generated · not gospel./Human judgement required.

07The ask

— Early access.

You've written it.
Now choose how
it's told.

Peepr is in alpha. We're opening it to a small group of people who make things and will tell us where it falls over.

Alpha · bring your own AI keys · free while it runs on your machine

Twelve Peepr characters from seven different stories standing in a line-up like a cast photo — a grandfather, two sisters, one holding a grey toy elephant, a robot, a small dragon, a kitten, a teddy bear, a snail, two mice in scarves, a bed with a sad face and a bunch of flowers
Characters from Storytale mode

v0.3 · Alpha/We'll tell you what it can't do before you ask